I had a rare
moment of lucidity
but I squandered it
admiring the color
of a dumpster.
When I said I was feeling chipper
I didn’t mean cheery, like a dandy squirrel
with a cache of ripe pecans, no.
I meant like that groaning, shrieking
grinder box that sucks in green oak limbs
the size of Sam Houston’s neck and erupts
in a volcanic, yawning siren like
a Mississippi bigot shouting “frown!”
at a blind beggar, who can’t see his face.
And splinters it, bark and heart, leaf
and bud, into shattered, whip-torn
little pieces piled neat, like bones.
And the air, in the silence bound to follow
every violence, patiently cataloging and
filing all the sawdust that’s gotten up
in its face, is what I meant.
So, you’re probably wondering, “who pissed in this guy’s cheerios?” so let me explain. I wrote this, more or less, in the middle of the night a few days ago, after arriving home the previous evening to find the sprawling live oak in the alley behind the garage had suffered a kind of vivisection at the hands of the power utility. They had removed a third of its grand canopy, right down the middle, leaving it splayed in its remaining two thirds, parted now to make way for the high voltage wires. It now looks like a midshipman flagging a desperate semaphore. Mayday!
For the last two years, Cooper’s Hawks have nested in that oak, and now I can finally see the nest on the edge of the newly opened cavity. I’d seen one just that morning fly down the alley and pause in that tree, making that ca-ca-cawing call that I associate with courtship rituals for that bird. Well, I doubt they will keep a nest so exposed to the sky. The good news is that the migrant songbirds that come through here in good numbers will be easier to spot and photograph.
Anyway, that’s why I’m feeling chipper.
You can see the hawk’s nest in the upper right corner. There’s another large oak down the alley that they frequent, so perhaps they will nest there.
Here’s a yellowthroat I caught in the aforementioned oak a few years back. The tree has been a real bird magnet and I sure hope it remains that way.
we are never quite
where we are, never long
for the ungrabbed hat
acres are a toss away
from somebody’s grazing lot
from every pressing affair
the hallway leads
the bell rings
If a thing didn’t last
what was it, back when
it was everlasting?
we keep a second
set of books, an eye
out for the prospects
but the dusty warehouse
where the heart undresses
is an unbreathable atmosphere
we hold our breath
make quick little visits
Where on earth do things come from?
Everything is introduced to its environment, like the Indian Peafowl was to its range in North America. They are native to the Indian continent but no one talks about where they were before that. They have been introduced to many locales around the globe, where they form semidomestic or feral colonies. Here, they ignore their domestic heritage and roam free, yet they are not wild. Two of the females walked right up to me, in the manner of domestic pets. About a dozen there that I could see, on a rural stretch of the near-west end of the island.
I’d heard about them, and I had seen several in a ditch a couple of years ago. On this day I stopped and we visited for a while. The females are described as drab but up close they look striking. Big beautiful eyes with a dress of delicate pompoms on the head, bright turquoise and green on the breast.
The males are haughty and spectacular, familiar to almost everyone on the planet. They kept their distance across the road from where I stood.
There are stories but there are no true stories, everything is based upon something. Collections of fact are called nonfiction, a term in denial about the relationship between fact and what we imagine to be absolute truth.
We are ever where we find ourselves. Relative things abide in the complete absence of non-relative conditions, established as things only in relation to other such things. The contemplation of such truths does not seem to have a payoff so they remain, mostly unexamined.
There is no absolute peahen, though there she is, if appearance is taken as true-penny.
The lens is a monocle
a mockingbird flies right through it
and focus becomes a kind of concern
a bird’s eye does this too
Around every worldly focus
sharp like a chirp, the felt impression
of the periphery is vying, but
I am locked in your focus
And you in mine, and as for
the glassine other, it is wending
its way through the inattention
like noises from the kitchen